The 36th Congress of the Comité International d’Histoire de l’Art (CIHA) is set to take place from June 23 to 28, 2024, in Lyon, France. This prestigious event, considered the “Olympics of Art History,” brings together researchers and professionals from around the world to exchange ideas and engage in discussions on current topics in the field of art and heritage.
Organized in partnership with the French Committee of Art History (CFHA), the National Institute of Art History (INHA), the University Lumière Lyon 2, and the Rhône-Alpes Historical Research Laboratory (LARHRA CNRS UMR 5190), the congress will be hosted at the Lyon Convention Center, located in the Cité Internationale.
The theme of this 36th edition is “Matter Materiality,” which encompasses all artistic productions throughout history. The concept of materiality raises important questions about perception, conservation, and reproduction of artworks. It also touches upon current societal, ecological, and ethical challenges. The congress will explore a wide range of techniques and object categories, from painting to printmaking, architectural techniques to the use of waste materials, and from the human body to clothing.
Over 1000 speakers from more than 70 countries will present their research during the congress. The opening conference will be delivered by Orhan Pamuk, the Nobel Prize-winning author. Distinguished speakers like Georges Didi-Huberman, Eric de Chassey, and Isabelle Pallot-Frossard, among others, will also contribute to the discussions.
In addition to academic sessions, the congress will feature workshops, collaborative knowledge-sharing sessions, and special events organized in collaboration with museums and foundations in Lyon. Attendees will have the opportunity to explore the unique world-class collection of Artprice by Artmarket at the Museum of Contemporary Art Abode of Chaos.
During the congress, participants can also take part in heritage tours of the Auvergne Rhône-Alpes region, visiting iconic architectural landmarks such as Le Corbusier’s buildings in Firminy and the Convent of La Tourette, as well as cultural sites like the Palais Idéal du Facteur Cheval and the Monastère Royal de Brou.
Lyon itself, a UNESCO World Heritage site, offers a rich cultural experience with its museums, contemporary art centers, galleries, and architectural wonders from different eras, including the Vieux-Lyon district and the buildings designed by Tony Garnier.
The 36th Congress of the Comité International d’Histoire de l’Art promises to be an inspiring and enlightening event, highlighting the significance of materiality in art and its relevance to our contemporary world.
In addition to the information presented in the article, here are some facts and discussions related to the 36th Congress of the Comité International d’Histoire de l’Art (CIHA) and the exploration of the materiality of art:
Current Market Trends:
– There is a growing interest in art that focuses on materiality, as collectors and art enthusiasts appreciate the tactile and sensory aspects of artworks.
– The use of unconventional materials in art, such as recycled or repurposed materials, is becoming more prevalent, reflecting a broader societal interest in sustainability and environmental consciousness.
– Technological advancements have allowed artists to experiment with new materials and develop innovative techniques, resulting in a diverse range of artworks that challenge traditional notions of materiality.
Forecasts:
– The exploration of materiality in art is expected to continue as artists and researchers delve deeper into the relationship between materials, techniques, and meanings.
– Increased collaboration between artists, scientists, and technologists may lead to the development of new materials and mediums that push the boundaries of artistic expression.
– The demand for artworks that prioritize materiality and craftsmanship is likely to grow, as collectors seek unique and tangible pieces that offer a distinct aesthetic experience.
Key Challenges or Controversies:
– The conservation and preservation of artworks that prioritize materiality can pose challenges, as some materials may deteriorate or change over time. This raises questions about the longevity and stability of certain art forms.
– Balancing the use of traditional materials and techniques with innovative approaches can be a source of controversy, as some argue for the preservation of established artistic practices while others advocate for radical experimentation and exploration.
– The ethical considerations of using certain materials, such as animal products or potentially harmful substances, in artworks can generate debates about the boundaries of artistic expression and responsibility.
Advantages:
– The exploration of materiality in art offers a deeper understanding of the physicality and material presence of artworks, enhancing the viewer’s engagement and appreciation.
– By examining materiality, art historians and researchers can uncover new insights into the creative process, cultural contexts, and symbolic meanings embedded in artworks.
– Artists working with materiality have the opportunity to challenge traditional hierarchies within the art world and expand the possibilities of artistic expression.
Disadvantages:
– Focusing on materiality in art can overshadow other aspects of artistic production, such as conceptual depth or social and political commentary, leading to a potential imbalance in artistic evaluations.
– The emphasis on materiality may exclude artists who work primarily with intangible or digital mediums, limiting the scope of the discussions and research conducted during the congress.
– Exploring materiality in art requires access to resources and funding for materials and experimentation, which may be a barrier for some artists and researchers.
For more information related to the 36th Congress of the CIHA and the exploration of the materiality of art, you can visit the official website of the congress: link name.