The 36th Congress of the Comité International d’Histoire de l’Art (CIHA) is set to take place from June 23 to 28, 2024, in Lyon, France. This prestigious event, organized by the French Committee of Art History (CFHA) in collaboration with the Lumière University Lyon 2 and the Rhône-Alpes Historical Research Laboratory (LARHRA CNRS UMR 5190), will bring together researchers and professionals from around the world to discuss and debate various aspects of art history.
With the theme of “Matter and Materiality,” this edition of CIHA aims to explore how the conception, production, interpretation, and preservation of artworks are intertwined with the materials they are made of. This topic encompasses a wide range of current and pressing issues, including social, ecological, and ethical concerns. The congress will also delve into technical aspects related to different categories of objects, from paintings and prints to architectural techniques and the use of recycled materials.
The program will feature over 1,000 speakers from more than 70 countries, including renowned figures such as Orhan Pamuk, the Nobel Prize-winning author, who will deliver the opening speech. Among the distinguished speakers are Georges Didi-Huberman, Éric de Chassey, Sven Dupré, Finbarr Barry Flood, Tim Ingold, and Devika Singh, who will present their insights on various topics.
In addition to the thought-provoking discussions, the congress will include collaborative workshops, digital technology exhibitions, and presentations from international artists Sheela Gowda and Jefferson Pinder. These activities will offer valuable opportunities for knowledge exchange and interdisciplinary dialogue.
The event will also feature exclusive evening events hosted by partner museums and foundations, with the support of active sponsors. A special visit to the Artprice by Artmarket Headquarters will allow delegates to explore the museum’s unique historical archive, documenting art market knowledge from 1700 to the present.
Furthermore, the Circle of Patrons of the Museums of Lyon will organize a reception at the Museum of Fine Arts, showcasing restored artworks from its collection. The Museum of Contemporary Art in Lyon will host the reimagined banquet designed by Swiss artist Daniel Spoerri, in collaboration with the National Center for Visual Arts.
The CIHA Congress promises to be a truly enriching and enlightening experience, bringing together experts and enthusiasts to explore the fascinating intersection of art and materiality. This event not only highlights France’s commitment to cultural excellence but also serves as a platform for international collaboration and discourse in the field of art history.
The article provides an overview of the upcoming 36th Congress of the Comité International d’Histoire de l’Art (CIHA), which will take place from June 23 to 28, 2024, in Lyon, France. The congress will focus on the theme of “Matter and Materiality” and aims to explore the relationship between artworks and the materials they are made of. While the article does not provide specific facts about current market trends or forecasts, we can discuss some potential trends and challenges associated with the subject.
One current trend in the art market is the increased interest in contemporary art made with unconventional or non-traditional materials. Artists are experimenting with a wide range of materials, including recycled or found objects, organic materials, and new media technologies. This trend reflects a growing interest in exploring the materiality of artworks and pushing the boundaries of traditional artistic practices.
Another trend is the increasing focus on sustainability and ethical practices in the art world. With concerns about climate change and environmental impact, there is a growing emphasis on using sustainable materials and reducing waste in the creation and preservation of artworks. This trend aligns with the theme of “Matter and Materiality” as it highlights the ethical considerations involved in the materials used in art production.
One key challenge associated with the intersection of art and materiality is the conservation and preservation of artworks. Different materials age and deteriorate at different rates, and conservators face the challenge of finding appropriate methods to preserve and protect artworks for future generations. The congress could address this challenge by discussing innovative conservation techniques and the ethical implications of restoration practices.
Additionally, controversies may arise when artists use materials that may be considered controversial or taboo. For example, artworks made with animal products, human remains, or politically sensitive materials can spark debates and discussions about appropriateness and ethics in art. Exploring these controversies and examining the role of materiality in shaping artistic expression could be a thought-provoking aspect of the congress.
While the article does not provide specific forecasts or links to related sources, interested readers can explore additional information on current market trends, forecasts, and controversies in the art world by referring to reputable art market reports and publications. The Art Newspaper (link here) and Artnet (link here) are two well-known sources that cover a wide range of topics related to the art market and can provide valuable insights into the subject.